Occam’s Razor was conceived as an exploration of reduction rather than a singular visual outcome. The intent was not to arrive at one definitive expression, but to examine how clarity, presence, and atmosphere could be sustained through constraint. The work operates within a tightly held framework, where repetition and restraint allow meaning to emerge through consistency rather than gesture.


RESTRAINT AS FILTER
Expression was deliberately contained. Any element that distracted from the core idea was removed, allowing the principle of reduction to guide every decision. Complexity was not eliminated, but refined—present only where it served clarity and intent.


THE SYSTEM HOLDS
Occam’s Razor does not rely on a single defining artwork. Its strength lives in the collective. Each expression is equally valid, each reinforcing the same philosophical position. No single piece is required to carry the idea alone. By committing to restraint and allowing the system to do the work, clarity emerges naturally.

Occam’s Razor became an exercise in trust—trust in the framework, in repetition, and in knowing when to stop. It reflects Type A’s approach to cultural and experiential work: define the principle, establish the structure, and allow the idea to reveal itself without force.